Euthanasia
by Lord Byron (1788-1824)

When Time, or soon or late, shall bring
⁠      The dreamless sleep that lulls the dead,
Oblivion! may thy languid wing
⁠      Wave gently o’er my dying bed!

No band of friends or heirs be there,
⁠      To weep, or wish, the coming blow:
No maiden, with dishevelled hair,
⁠      To feel, or feign, decorous woe.

But silent let me sink to Earth,
⁠      With no officious mourners near:
I would not mar one hour of mirth,
⁠      Nor startle Friendship with a fear.

Yet Love, if Love in such an hour
⁠      Could nobly check its useless sighs,
Might then exert its latest power
⁠      In her who lives, and him who dies.

’Twere sweet, my Psyche! to the last
⁠      Thy features still serene to see:
Forgetful of its struggles past,
⁠      E’en Pain itself should smile on thee.

But vain the wish—for Beauty still
⁠      Will shrink, as shrinks the ebbing breath;
And Woman’s tears, produced at will,
⁠      Deceive in life, unman in death.

Then lonely be my latest hour,
⁠      Without regret, without a groan;
For thousands Death hath ceased to lower,
⁠      And pain been transient or unknown.

“Aye but to die, and go,” alas!
⁠      Where all have gone, and all must go!
To be the nothing that I was
⁠      Ere born to life and living woe!

Count o’er the joys thine hours have seen,
⁠      Count o’er thy days from anguish free,
And know, whatever thou hast been,
⁠      ’Tis something better not to be.

Views: 48

A Ballad of Life
by Algernon Charles Swinburne (1837-1909)

IN HONOREM D. LUCRETIAE ESTENSIS BORGIAE

I found in dreams a place of wind and flowers,
⁠      Full of sweet trees and colour of glad grass,
⁠      In midst whereof there was
A lady clothed like summer with sweet hours.
Her beauty, fervent as a fiery moon,
⁠      Made my blood burn and swoon
⁠            Like a flame rained upon.
Sorrow had filled her shaken eyelids’ blue,
And her mouth’s sad red heavy rose all through
⁠            Seemed sad with glad things gone.

She held a little cithern by the strings,
⁠      Shaped heartwise, strung with subtle-coloured hair
⁠      Of some dead lute-player
That in dead years had done delicious things.
The seven strings were named accordingly;
⁠      The first string charity,
⁠            The second tenderness,
The rest were pleasure, sorrow, sleep, and sin,
And loving-kindness, that is pity’s kin
⁠            And is most pitiless.

There were three men with her, each garmented
⁠      With gold and shod with gold upon the feet;
⁠      And with plucked ears of wheat
The first man’s hair was wound upon his head.
His face was red, and his mouth curled and sad;
⁠      All his gold garment had
⁠            Pale stains of dust and rust.
A riven hood was pulled across his eyes;
The token of him being upon this wise
⁠            Made for a sign of Lust.

The next was Shame, with hollow heavy face
⁠      Coloured like green wood when flame kindles it.
⁠      He hath such feeble feet
They may not well endure in any place.
His face was full of grey old miseries,
⁠      And all his blood’s increase
⁠            Was even increase of pain.
The last was Fear, that is akin to Death;
He is Shame’s friend, and always as Shame saith
⁠            Fear answers him again.

My soul said in me; This is marvellous,
⁠      Seeing the air’s face is not so delicate
⁠      Nor the sun’s grace so great,
If sin and she be kin or amorous.
And seeing where maidens served her on their knees,
⁠      I bade one crave of these
⁠            To know the cause thereof.
Then Fear said: I am Pity that was dead.
And Shame said: I am Sorrow comforted.
⁠            And Lust said: I am Love.

Thereat her hands began a lute-playing
⁠      And her sweet mouth a song in a strange tongue;
⁠      And all the while she sung
There was no sound but long tears following
Long tears upon men’s faces waxen white
⁠      With extreme sad delight.
⁠            But those three following men
Became as men raised up among the dead;
Great glad mouths open and fair cheeks made red
⁠            With child’s blood come again.

Then I said: Now assuredly I see
⁠      My lady is perfect, and transfigureth
⁠      All sin and sorrow and death,
Making them fair as her own eyelids be,
Or lips wherein my whole soul’s life abides;
⁠      Or as her sweet white sides
⁠            And bosom carved to kiss.
Now therefore, if her pity further me,
Doubtless for her sake all my days shall be
⁠            As righteous as she is.

Forth, ballad, and take roses in both arms,
⁠      Even till the top rose touch thee in the throat
Where the least thornprick harms;
⁠      And girdled in thy golden singing-coat,
Come thou before my lady and say this;
⁠      Borgia, thy gold hair’s colour burns in me,
⁠            Thy mouth makes beat my blood in feverish rhymes;
⁠      Therefore so many as these roses be,
⁠            Kiss me so many times.
Then it may be, seeing how sweet she is,
⁠      That she will stoop herself none otherwise
⁠            Than a blown vine-branch doth,
⁠And kiss thee with soft laughter on thine eyes,
⁠            Ballad, and on thy mouth.

Views: 55

The Je ne sçay quoi. A Song
by William Whitehead (1715-1785)

Yes, I’m in love, I feel it now,
      And Cælia has undone me;
And yet I’ll swear I can’t tell how
      The pleasing plague stole on me.

’Tis not her face that love creates,
      For there no graces revel;
’Tis not her shape, for there the fates
      Have rather been uncivil.

’Tis not her air, for sure in that
      There’s nothing more than common;
And all her sense is only chat
      Like any other woman.

Her voice, her touch, might give th’ alarm—
      ’Twas both perhaps, or neither;
In short, ’twas that provoking charm
      Of Cælia altogether.

Views: 46

A Dark Day
by Dante Gabriel Rossetti (1828-1882)

The gloom that breathes upon me with these airs
      Is like the drops which strike the traveller’s brow
      Who knows not, darkling, if they bring him now
Fresh storm, or be old rain the covert bears.
Ah! bodes this hour some harvest of new tares,
      Or hath but memory of the day whose plough
      Sowed hunger once,—the night at length when thou,
O prayer found vain, didst fall from out my prayers?
How prickly were the growths which yet how smooth,
      Along the hedgerows of this journey shed,
Lie by Time’s grace till night and sleep may soothe!
      Even as the thistledown from pathsides dead
Gleaned by a girl in autumns of her youth,
      Which one new year makes soft her marriage-bed.

Views: 45

Spring
by Christopher Smart (1722-1771)

Now the winds are all composure.
      But the breath upon the bloom,
Blowing sweet o’er each inclosure
      Grateful off’rings of perfume.

Tansy, calaminth and daisies
      On the river’s margin thrive;
And accompany the mazes
      Of the stream that leaps alive.

Muse, accordant to the season.
      Give the numbers life and air;
When the sounds and objects reason
      In behalf of praise and pray’r.

All the scenes of nature quicken
      By the genial spirit fann’d;
And the painted beauties thicken.
      Colour’d by the master’s hand.

Earth her vigour repossessing
      As the blasts are held in ward,
Blessing heap’d and press’d on blessing.
      Yield the measure of the Lord.

Beeches, without order seemly,
      Shade the flow’rs of annual birth,
And the lily smiles supremely,
      Mention’d by the Lord on earth.

Couslips seize upon the fallow,
      And the cardamine in white,
Where the corn-flow’rs join the mallow,
      Joy and health, and thrift unite.

Study sits beneath her arbour,
      By the bason’s glossy side;
While the boat from out its harbour
      Exercise and pleasure guide-

Pray’r and praise be mine employment,
      Without grudging or regret;
Lasting life, and long enjoyment
      Are not here, and are not yet.

Hark! aloud, the black-bird whistles,
      With surrounding fragrance blest,
And the goldfinch in the thistles
      Makes provision for her nest.

Ev’n the hornet hives his honey,
      Bluecap builds his stately dome,
And the rocks supply the coney
      With a fortress and an home.

Views: 61

Mental Cases
by Wilfred Owen (1893-1918)

Who are these? Why sit they here in twilight?
Wherefore rock they, purgatorial shadows,
Drooping tongues from jaws that slob their relish,
Baring teeth that leer like skulls’ tongues wicked?
Stroke on stroke of pain,—but what slow panic,
Gouged these chasms round their fretted sockets?
Ever from their hair and through their hand palms
Misery swelters. Surely we have perished
Sleeping, and walk hell; but who these hellish?

—These are men whose minds the Dead have ravished.
Memory fingers in their hair of murders,
Multitudinous murders they once witnessed.
Wading sloughs of flesh these helpless wander,
Treading blood from lungs that had loved laughter.
Always they must see these things and hear them,
Batter of guns and shatter of flying muscles,
Carnage incomparable and human squander
Rucked too thick for these men’s extrication.

Therefore still their eyeballs shrink tormented
Back into their brains, because on their sense
Sunlight seems a bloodsmear; night comes blood-black;
Dawn breaks open like a wound that bleeds afresh.
—Thus their heads wear this hilarious, hideous,
Awful falseness of set-smiling corpses.
—Thus their hands are plucking at each other;
Picking at the rope-knouts of their scourging;
Snatching after us who smote them, brother,
Pawing us who dealt them war and madness.

Views: 65

Au Lecteur
by Charles Baudelaire (1821-1867)

La sottise, l’erreur, le péché, la lésine,
Occupent nos esprits et travaillent nos corps,
Et nous alimentons nos aimables remords,
Comme les mendiants nourrissent leur vermine.

Nos péchés sont têtus, nos repentirs sont lâches;
Nous nous faisons payer grassement nos aveux,
Et nous rentrons gaîment dans le chemin bourbeux,
Croyant par de vils pleurs laver toutes nos taches.

Sur l’oreiller du mal c’est Satan Trismégiste
Qui berce longuement notre esprit enchanté,
Et le riche métal de notre volonté
Est tout vaporisé par ce savant chimiste.

C’est le Diable qui tient les fils qui nous remuent!
Aux objets répugnants nous trouvons des appas;
Chaque jour vers l’Enfer nous descendons d’un pas,
Sans horreur, à travers des ténèbres qui puent.

Ainsi qu’un débauché pauvre qui baise et mange
Le sein martyrisé d’une antique catin,
Nous volons au passage un plaisir clandestin
Que nous pressons bien fort comme une vieille orange.

Serré, fourmillant, comme un million d’helminthes,
Dans nos cerveaux ribote un peuple de Démons,
Et, quand nous respirons, la Mort dans nos poumons
Descend, fleuve invisible, avec de sourdes plaintes.

Si le viol, le poison, le poignard, l’incendie,
N’ont pas encor brodé de leurs plaisants dessins
Le canevas banal de nos piteux destins,
C’est que notre âme, hélas! n’est pas assez hardie.

Mais parmi les chacals, les panthères, les lices,
Les singes, les scorpions, les vautours, les serpents,
Les monstres glapissants, hurlants, grognants, rampants,
Dans la ménagerie infâme de nos vices,

Il en est un plus laid, plus méchant, plus immonde!
Quoiqu’il ne pousse ni grands gestes ni grands cris,
Il ferait volontiers de la terre un débris
Et dans un bâillement avalerait le monde;

C’est l’Ennui! — L’œil chargé d’un pleur involontaire,
Il rêve d’échafauds en fumant son houka.
Tu le connais, lecteur, ce monstre délicat,
— Hypocrite lecteur, — mon semblable, — mon frère!

Views: 49

We Are Sevem
by William Wordsworth (1770-1850)

———A simple Child,
That lightly draws its breath,
And feels its life in every limb,
What should it know of death?

I met a little cottage Girl:
She was eight years old, she said;
Her hair was thick with many a curl
That clustered round her head.

She had a rustic, woodland air,
And she was wildly clad:
Her eyes were fair, and very fair;
—Her beauty made me glad.

“Sisters and brothers, little Maid,
How many may you be?”
“How many? Seven in all,” she said,
And wondering looked at me.

“And where are they? I pray you tell.”
She answered, “Seven are we;
And two of us at Conway dwell,
And two are gone to sea.

“Two of us in the church-yard lie,
My sister and my brother;
And, in the church-yard cottage, I
Dwell near them with my mother.”

“You say that two at Conway dwell,
And two are gone to sea,
Yet ye are seven! I pray you tell,
Sweet Maid, how this may be.”

Then did the little Maid reply,
“Seven boys and girls are we;
Two of us in the church-yard lie,
Beneath the church-yard tree.”

“You run about, my little Maid,
Your limbs they are alive;
If two are in the church-yard laid,
Then ye are only five.”

“Their graves are green, they may be seen,”
The little Maid replied,
“Twelve steps or more from my mother’s door,
And they are side by side.

“My stockings there I often knit,
My kerchief there I hem;
And there upon the ground I sit,
And sing a song to them.

“And often after sun-set, Sir,
When it is light and fair,
I take my little porringer,
And eat my supper there.

“The first that died was sister Jane;
In bed she moaning lay,
Till God released her of her pain;
And then she went away.

“So in the church-yard she was laid;
And, when the grass was dry,
Together round her grave we played,
My brother John and I.

“And when the ground was white with snow,
And I could run and slide,
My brother John was forced to go,
And he lies by her side.”

“How many are you, then,” said I,
“If they two are in heaven?”
Quick was the little Maid’s reply,
“O Master! we are seven.”

“But they are dead; those two are dead!
Their spirits are in heaven!”
’Twas throwing words away; for still
The little Maid would have her will,
And said, “Nay, we are seven!”

Views: 52

Jolly Good Ale and Old
by William Stevenson (1530?-1575)
because today is National Beer Day

I cannot eat but little meat,
         My stomach is not good;
But sure I think that I can drink
         With him that wears a hood.
Though I go bare, take ye no care,
         I nothing am a-cold;
I stuff my skin so full within
         Of jolly good ale and old.
                     Back and side go bare, go bare;
                     Both foot and hand go cold;
                     But, belly, God send thee good ale enough,
                     Whether it be new or old.

I love no roast but a nut-brown toast,
         And a crab laid in the fire;
A little bread shall do me stead;
         Much bread I not desire.
No frost nor snow, no wind, I trow,
         Can hurt me if I wold;
I am so wrapp’d and thoroughly lapp’d
         Of jolly good ale and old.
                     Back and side go bare, go bare;
                     Both foot and hand go cold;
                     But, belly, God send thee good ale enough,
                     Whether it be new or old.

And Tib, my wife, that as her life
         Loveth well good ale to seek,
Full oft drinks she till ye may see
         The tears run down her cheek:
Then doth she trowl to me the bowl
         Even as a maltworm should,
And saith, ’Sweetheart, I took my part
         Of this jolly good ale and old.’
                     Back and side go bare, go bare;
                     Both foot and hand go cold;
                     But, belly, God send thee good ale enough,
                     Whether it be new or old.

Now let them drink till they nod and wink,
         Even as good fellows should do;
They shall not miss to have the bliss
         Good ale doth bring men to;
And all poor souls that have scour’d bowls
         Or have them lustily troll’d,
God save the lives of them and their wives,
         Whether they be young or old.
                     Back and side go bare, go bare;
                     Both foot and hand go cold;
                     But, belly, God send thee good ale enough,
                     Whether it be new or old.

Views: 41

Elegy to the Memory of an Unfortunate Lady
by Alexander Pope (1688-1744)

What beck’ning ghost, along the moonlight shade
Invites my steps, and points to yonder glade?
’Tis she!—but why that bleeding bosom gored,
Why dimly gleams the visionary sword?
O, ever beauteous, ever friendly! tell,
Is it, in Heav’n, a crime to love too well?
To bear too tender or too firm a heart,
To act a lover’s or a Roman’s part?
Is there no bright reversion in the sky
For those who greatly think, or bravely die?
Why bade ye else, ye Pow’rs! her soul aspire
Above the vulgar flight of low desire?
Ambition first sprung from your blest abodes;
The glorious fault of angels and of gods;
Thence to their images on earth it flows,
And in the breasts of kings and heroes glows.
Most souls, ’tis true, but peep out once an age,
Dull sullen pris’ners in the body’s cage:
Dim lights of life, that burn a length of years,
Useless, unseen, as lamps in sepulchres;
Like Eastern kings a lazy state they keep,
And close confined to their own palace, sleep.
From these perhaps (ere Nature bade her die)
Fate snatch’d her early to the pitying sky.
As into air the purer spirits flow,
And sep’rate from their kindred dregs below,
So flew the soul to its congenial place,
Nor left one virtue to redeem her race.
But thou, false guardian of a charge too good!
Thou, mean deserter of thy brother’s blood!
See on these ruby lips the trembling breath,
These cheeks now fading at the blast of Death:
Cold is that breast which warm’d the world before,
And those love-darting eyes must roll no more.
Thus, if eternal Justice rules the ball,
Thus shall your wives, and thus your children fall;
On all the line a sudden vengeance waits,
And frequent herses shall besiege your gates.
There passengers shall stand, and pointing say
(While the long fun’rals blacken all the way),
’Lo! these were they whose souls the Furies steel’d
And cursed with hearts unknowing how to yield.’
Thus unlamented pass the proud away,
The gaze of fools, and pageant of a day!
So perish all whose breast ne’er learn’d to glow
For others’ good, or melt at others’ woe!
What can atone (O ever-injured shade!)
Thy fate unpitied, and thy rites unpaid?
No friend’s complaint, no kind domestic tear
Pleased thy pale ghost, or graced thy mournful bier.
By foreign hands thy dying eyes were closed,
By foreign hands thy decent limbs composed,
By foreign hands thy humble grave adorn’d,
By strangers honour’d, and by strangers mourn’d!
What tho’ no friends in sable weeds appear,
Grieve for an hour, perhaps, then mourn a year,
And bear about the mockery of woe
To midnight dances, and the public show?
What tho’ no weeping Loves thy ashes grace,
Nor polish’d marble emulate thy face?
What tho’ no sacred earth allow thee room,
Nor hallow’d dirge be mutter’d o’er thy tomb?
Yet shall thy grave with rising flow’rs be drest,
And the green turf lie lightly on thy breast:
There shall the morn her earliest tears bestow,
There the first roses of the year shall blow;
While angels with their silver wings o’ershade
The ground now sacred by thy reliques made.
So peaceful rests, without a stone, a name,
What once had beauty, titles, wealth, and fame.
How loved, how honour’d once, avails thee not,
To whom related, or by whom begot;
A heap of dust alone remains of thee,
’Tis all thou art, and all the proud shall be!
Poets themselves must fall, like those they sung,
Deaf the praised ear, and mute the tuneful tongue.
Ev’n he, whose soul now melts in mournful lays,
Shall shortly want the gen’rous tear he pays;
Then from this closing eyes thy form shall part,
And the last pang shall tear thee from his heart;
Life’s idle business at one gasp be o’er,
The Muse forgot, and thou beloved no more!

Views: 141