The Lark Ascending
by George Meredith (1828-1909)

He rises and begins to round,
He drops the silver chain of sound
Of many links without a break,
In chirrup, whistle, slur and shake,
All intervolved and spreading wide,
Like water-dimples down a tide
Where ripple ripple overcurls
And eddy into eddy whirls;
A press of hurried notes that run
So fleet they scarce are more than one,
Yet changeingly the trills repeat
And linger ringing while they fleet,
Sweet to the quick o’ the ear, and dear
To her beyond the handmaid ear,
Who sits beside our inner springs,
Too often dry for this he brings,
Which seems the very jet of earth
At sight of sun, her music’s mirth,
As up he wings the spiral stair,
A song of light, and pierces air
With fountain ardour, fountain play,
To reach the shining tops of day,
And drink in everything discerned
An ecstasy to music turned,
Impelled by what his happy bill
Disperses; drinking, showering still,
Unthinking save that he may give
His voice the outlet, there to live
Renewed in endless notes of glee,
So thirsty of his voice is he,
For all to hear and all to know
That he is joy, awake, aglow,
The tumult of the heart to hear
Through pureness filtered crystal-clear,
And know the pleasure sprinkled bright
By simple singing of delight,
Shrill, irreflective, unrestrained,
Rapt, ringing, on the jet sustained
Without a break, without a fall,
Sweet-silvery, sheer lyrical,
Perennial, quavering up the chord
Like myriad dews of sunny sward
That trembling into fulness shine,
And sparkle dropping argentine;
Such wooing as the ear receives
From zephyr caught in choric leaves
Of aspens when their chattering net
Is flushed to white with shivers wet;
And such the water-spirit’s chime
On mountain heights in morning’s prime,
Too freshly sweet to seem excess,
Too animate to need a stress;
But wider over many heads
The starry voice ascending spreads,
Awakening, as it waxes thin,
The best in us to him akin;
And every face to watch him raised,
Puts on the light of children praised,
So rich our human pleasure ripes
When sweetness on sincereness pipes,
Though nought be promised from the seas,
But only a soft-ruffling breeze
Sweep glittering on a still content,
Serenity in ravishment.

For singing till his heaven fills,
’Tis love of earth that he instils,
And ever winging up and up,
Our valley is his golden cup,
And he the wine which overflows
To lift us with him as he goes:
The woods and brooks, the sheep and kine
He is, the hills, the human line,
The meadows green, the fallows brown,
The dreams of labour in the town;
He sings the sap, the quickened veins,
The wedding song of sun and rains
He is, the dance of children, thanks
Of sowers, shout of primrose-banks,
And eye of violets while they breathe;
All these the circling song will wreathe,
And you shall hear the herb and tree,
The better heart of men shall see,
Shall feel celestially, as long
As you crave nothing save the song.

Was never voice of ours could say
Our inmost in the sweetest way,
Like yonder voice aloft, and link
All hearers in the song they drink:
Our wisdom speaks from failing blood,
Our passion is too full in flood,
We want the key of his wild note
Of truthful in a tuneful throat,
The song seraphically free
Of taint of personality,
So pure that it salutes the suns
The voice of one for millions,
In whom the millions rejoice
For giving their one spirit voice.

Yet men have we, whom we revere,
Now names, and men still housing here,
Whose lives, by many a battle-dint
Defaced, and grinding wheels on flint,
Yield substance, though they sing not, sweet
For song our highest heaven to greet:
Whom heavenly singing gives us new,
Enspheres them brilliant in our blue,
From firmest base to farthest leap,
Because their love of Earth is deep,
And they are warriors in accord
With life to serve and pass reward,
So touching purest and so heard
In the brain’s reflex of yon bird:
Wherefore their soul in me, or mine,
Through self-forgetfulness divine,
In them, that song aloft maintains,
To fill the sky and thrill the plains
With showerings drawn from human stores,
As he to silence nearer soars,
Extends the world at wings and dome,
More spacious making more our home,
Till lost on his aerial rings
In light, and then the fancy sings.

Views: 4

Woods in Winter
by Henry Wadsworth Longfellow (1807-1882)

When winter winds are piercing chill,
      And through the hawthorn blows the gale,
With solemn feet I tread the hill,
      That overbrows the lonely vale.

O’er the bare upland, and away
      Through the long reach of desert woods,
The embracing sunbeams chastely play,
      And gladden these deep solitudes.

Where, twisted round the barren oak,
      The summer vine in beauty clung,
And summer winds the stillness broke,
      The crystal icicle is hung.

Where, from their frozen urns, mute springs
      Pour out the river’s gradual tide,
Shrilly the skater’s iron rings,
      And voices fill the woodland side.

Alas! how changed from the fair scene,
      When birds sang out their mellow lay,
And winds were soft, and woods were green,
      And the song ceased not with the day!

But still wild music is abroad,
      Pale, desert woods! within your crowd;
And gathering winds, in hoarse accord,
      Amid the vocal reeds pipe loud.

Chill airs and wintry winds! my ear
      Has grown familiar with your song;
I hear it in the opening year,
      I listen, and it cheers me long.

Views: 8

Noche de luna llena
by Miguel de Unamuna (1864-1936)

Noche blanca en que el agua cristalina
duerme queda en su lecho de laguna
sobre la cual redonda llena luna
que ejército de estrellas encamina

vela, y se espeja una redonda encina
en el espejo sin rizada alguna;
noche blanca en que el agua hace de cuna
de la más alta y más honda doctrina.

Es un rasgón del cielo que abrazado
tiene en sus brazos la Naturaleza;
es un rasgón del cielo que ha posado

y en el silencio de la noche reza
la oración del amante resignado
sólo al amor, que es su única riqueza.

Views: 11

L’Envoi (“When Earth’s last picture is painted”)
by Rudyard Kipling (1865-1936)

When Earth’s last picture is painted and the tubes are twisted and dried,
When the oldest colours have faded, and the youngest critic has died,
We shall rest, and, faith, we shall need it—lie down for an æon or two,
Till the Master of All Good Workmen shall put us to work anew!

And those that were good shall be happy: they shall sit in a golden chair;
They shall splash at a ten-league canvas with brushes of comets’ hair;
They shall find real saints to draw from—Magdalene, Peter, and Paul;
They shall work for an age at a sitting and never be tired at all!

And only the Master shall praise us, and only the Master shall blame;
And no one shall work for money, and no one shall work for fame,
But each for the joy of the working, and each, in his separate star,
Shall draw the Thing as he sees It for the God of Things as They Are!

Views: 12

Inscription for the Entrance to a Wood
by William Cullen Bryant (1794-1878)

Stranger, if thou hast learned a truth which needs
No school of long experience, that the world
Is full of guilt and misery, and hast seen
Enough of all its sorrows, crimes, and cares,
To tire thee of it, enter this wild wood
And view the haunts of nature. The calm shade
Shall bring a kindred calm, and the sweet breeze
That makes the green leaves dance, shall waft a balm
To thy sick heart. Thou wilt find nothing here
Of all that pained thee in the haunts of men,
And made thee loathe thy life. The primal curse
Fell, it is true, upon the unsinning earth,
But not in vengance. God hath yoked to guilt
Her pale tormentor, Misery. Hence these shades
Are still the abode of gladness; the thick roof
Of green and stirring branches is alive
And musical with birds, that sing and sport
In wantonness of spirit; while below
The squirrel, with raised paws and form erect,
Chirps merrily. Throngs of insects in the shade
Try their thin wings and dance in the warm beam.
That waked them into life. Even the green trees
Partake the deep contentment; as they bend
To the soft winds, the sun from the blue sky
Looks in and sheds a blessing on the scene.
Scarce less the cleft-born wildflower seems to enjoy
Existence, than the winged plunderer
That sucks its sweets. The mossy rocks themselves,
And the old and ponderous trunks of prostrate trees
That lead from knoll to knoll a causeway rude,
Or bridge the sunken brook, and their dark roots,
With all their roots upon them, twisting high,
Breathe fixed tranquility. The rivulet
Sends forth glad sounds, and tripping o’er its bed
Of pebbly sands, or leaping down the rocks
Seems, with continuous laughter, to rejoice
In its own being. Softly tread the marge,
Lest from her midway perch thou scare the wren
That dips her bill in water. The cool wind,
That stirs the stream in play, shall come to thee,
Like one that loves thee nor will let thee pass
Ungreeted, and shall give its light embrace.

Views: 38

Requiem
by Robert Louis Stevenson (1850-1894)

Under the wide and starry sky,
Dig the grave and let me lie.
Glad did I live, and gladly die,
   And I laid me down with a will.

This be the verse you grave for me;
Here he lies where he longed to be;
Home is the sailor, home from the sea,
   And the hunter home from the hill.

Views: 14

To the Body
by Coventry Patmore (1823-1896)

Creation’s and Creator’s crowning good;
Wall of infinitude;
Foundation of the sky,
In Heaven forecast
And long’d for from eternity,
Though laid the last;
Reverberating dome,
Of music cunningly built home
Against the void and indolent disgrace
Of unresponsive space;
Little, sequester’d pleasure-house
For God and for His Spouse;
Elaborately, yea, past conceiving, fair,
Since, from the graced decorum of the hair,
Ev’n to the tingling, sweet
Soles of the simple, earth-confiding feet,
And from the inmost heart
Outwards unto the thin
Silk curtains of the skin,
Every least part
Astonish’d hears
And sweet replies to some like region of the spheres;
Form’d for a dignity prophets but darkly name,
Lest shameless men cry “Shame!”
So rich with wealth conceal’d
That Heaven and Hell fight chiefly for this field;
Clinging to everything that pleases thee
With indefectible fidelity;
Alas, so true
To all thy friendships that no grace
Thee from thy sin can wholly disembrace;
Which thus ‘bides with thee as the Jebusite,
That, maugre all God’s promises could do,
The chosen People never conquer’d quite,
Who therefore lived with them,
And that by formal truce and as of right,
In metropolitan Jerusalem,
For which false fealty
Thou needs must, for a season, lie
In the grave’s arms, foul and unshriven,
Albeit, in Heaven,
Thy; crimson-throbbing Glow
Into its old abode aye pants to go,
And does with envy see
Enoch, Elijah, and the Lady, she
Who left the lilies in her body’s lieu.
O, if the pleasures I have known in thee
But my poor faith’s poor first-fruits be,
What quintessential, keen, ethereal bliss
Then shall be his
Who has thy birth-time’s consecrating dew
For death’s sweet chrism retain’d,
Quick, tender, virginal, and unprofaned!

Views: 16

Upon a Spider Catching a Fly
by Edward Taylor (1642-1729)

Thou sorrow, venom Elfe:
      Is this thy play,
To spin a web out of thyselfe
      To Catch a Fly?
            For Why?

I saw a pettish wasp
      Fall foule therein:
Whom yet thy Whorle pins did not clasp
      Lest he should fling
            His sting.

But as affraid, remote
      Didst stand hereat,
And with thy little fingers stroke
      And gently tap
            His back.

Thus gently him didst treate
      Lest he should pet,
And in a froppish, aspish heate
      Should greatly fret
            Thy net.

Whereas the silly Fly,
      Caught by its leg
Thou by the throate tookst hastily
      And ‘hinde the head
            Bite Dead.

This goes to pot, that not
      Nature doth call.
Strive not above what strength hath got,
      Lest in the brawle
            Thou fall.

This Frey seems thus to us.
      Hells Spider gets
His intrails spun to whip Cords thus
      And wove to nets
            And sets.

To tangle Adams race
      In’s stratigems
To their Destructions, spoil’d, made base
      By venom things,
            Damn’d Sins.

But mighty, Gracious Lord
      Communicate
Thy Grace to breake the Cord, afford
      Us Glorys Gate
            And State.

We’l Nightingaile sing like
      When pearcht on high
In Glories Cage, thy glory, bright,
      And thankfully,
            For joy.

Views: 12

Les Oiseaux de neige
by Louis-Honoré Fréchette (1839-1908)

Quand le rude Équinoxe, avec son froid cortège,
Quitte nos horizons moins inhospitaliers,
Sur nos champs de frimas s’abattent par milliers
Ces visiteurs ailés qu’on nomme oiseaux de neige.

De graines nulle part, nul feuillage aux halliers.
Contre la giboulée et nos vents de Norvège,
Seul le regard d’en haut les abrite, et protège
Ces courriers du soleil en butte aux oiseliers.

Chers petits voyageurs, sous le givre et la grêle,
Vous voltigez gaîment, et l’on voit sur votre aile
Luire un premier rayon du printemps attardé.

Allez, tourbillonnez autour des avalanches ;
Sans peur, aux flocons blancs mêlez vos plumes blanches :
Le faible que Dieu garde est toujours bien gardé.

Views: 14

Silence
by Marianne Moore (1887-1972)

My father used to say,
“Superior people never make long visits,
have to be shown Longfellow’s grave
or the glass flowers at Harvard.
Self-reliant like the cat—
that takes its prey to privacy,
the mouse’s limp tail hanging like a shoelace from its mouth—
they sometimes enjoy solitude,
and can be robbed of speech
by speech which has delighted them.
The deepest feeling always shows itself in silence;
not in silence, but restraint.”
Nor was he insincere in saying, “Make my house your inn.”
Inns are not residences.

Views: 11